The Bones of Light series takes its name from the homonymous artist’s installation, exhibited in the spaces of L’Ascensore in Palermo. The works develop around the stroke, amplified by refracting light in the abrasions and grooves engraved with electric grinders on metal surfaces.

A distinctive feature of the series is its kinetic effect: the engraved strokes, interacting with light and the viewer’s movement, generate a dynamic and immersive experience and an iridescent abstraction characterized by the light conditions. The effect is like an electronic display, but with a strangely archaic aura. The engravings, extended over the entire surface of the works, appear like holograms, evoking energy flows or ancient primitive signs, almost suggesting something of original, a primordial visual language, somehow in connection with quantum mechanics.